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Apocalypse Not: Confronting Extinction with Art
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“Slow Down and Open Up” On a Soundwalk Through Golden Gate Park
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Lessons from the Forest: Arboreal at / Gallery
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Sculpting California, Post-Fire
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Local Artists Capture Shared Experiences of Pandemic in SFMOMA’s ‘Close to Home’
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At Chinese Culture Center, a Collective Experience Borne Out of Difference
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Gallery View: A new Oakland art gallery seeks to finance and inspire environmental activism
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A Golden Eagle Alights in Sunol
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At YBCA, Art is a Powerful Tool for Envisioning a Less Complacent Future
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Abstract Art? Floating Laboratory? Oakland’s Buoyant Ecologies Float Lab Is Both
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Meditations in an Emergency
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In ‘These Lines Are Living,’ Artists Engage With the Changing Shoreline
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A River of Ink
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Artistic Encounters With Animals Say Something About Being Human
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The Impossibility of Describing Nature …
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Video Artist Lisa Reihana Brings Truth Back to the History of the Pacific
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An Artist Features the Bay’s “Transitional” Spaces
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With a Roll of the Dice, Artist’s Game Tells a Story of West Coast Science and Spiritualism
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California Wildflowers and Climate Change
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A 1960s Sustainable Community Outside San Francisco and Its Struggle to Survive
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The Art of Attentiveness: Q&A With Tanja Geis
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Anne Brigman and the Legacy of Female Nudes in Nature
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Bay Area Filmmaker Looks for Answers About the Future of Wildfire
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At the Edges of Perception, Lisa K. Blatt Redefines Landscape Photography
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Enter the Greater West
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Susan Meiselas' Retrospective Provokes Questions About the Ethics of Photojournalism
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Enrique Chagoya Packs Elusive Meaning and Acerbic Humor into Wild Pastiche
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In Their Versions of the West, the Landscapes Are Never Empty
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Join a Human Bank of Fog, Courtesy of Art Collective Futurefarmers
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Walker Evans' Eye on the City
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The Politics of Representing Landscapes
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Nothing Outdated About John Chiara’s Traditional Techniques
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What Artists Are Doing to Help Save the Environment
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At City Limits, Sofía Córdova Imagines Life After Humanity
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Erotic Art at the Intersection of Queer and Chicanx Identities
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Two Artists, One Oyster-Filled Future, and the Vast Internet Archive
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The Museum of Capitalism Isn’t Buying Our Prevailing Economic Model
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The American Landscape Photographers Who Focused on the Environment in the ’70s
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In Henry Wessel’s Photos of ’90s Richmond Homes, Lives Are in The Details
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Once-Suppressed Dorothea Lange Photos Capture Wartime Paranoia
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The Evolution of Diane Arbus in 35mm
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Reykjavík: a City of Sculpture Gardens and Public Monuments
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Reykjavík: une ville de jardins de sculptures et de monuments publics
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D30 Ragnar Þórisson: Human Disguise at Reykjavík Art Museum
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Making Maps for Love, Self, and Anti-Colonialism
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At Galería de la Raza, Artists Fight to Protect Water and Human Rights
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How to Remember a Dictatorship: Paz Encina’s "Memory Exercises"
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Reawakening James Baldwin in Raoul Peck’s "I Am Not Your Negro"
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Ana Teresa Fernández Erases the U.S.-Mexico Border
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Ana Teresa Fernández efface la frontière entre les Etats-Unis et le Mexique
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Close-up on "The Pearl Button": Shifting Perspectives from the Human to the Non-Human
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Creating New Realities with Hand-Cut Collages
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MoAD’s ‘A Matter of Fact’ Luxuriates in the Trappings of Imaginary Wealth
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Former Military Site Houses the Powerful Artwork of a Post-9/11 World
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Andy Goldsworthy Investigates the History of the Presidio of San Francisco
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Andy Goldsworthy explore l’histoire du Presidio de San Francisco
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Abundance to Absence, California’s History Told Through Its Water
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Christine Elfman Investigates Photography With Amaranth Juice and Roman Mythology
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SFMOMA Reopens With Several Gardens, Terraces, and Galleries for Sculpture
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SFMOMA rouvre ses portes et ajoute plusieurs jardins, terrasses et galeries consacrés à la sculpture
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New Dogpatch Arts Complex Fuels Hope Amid Evictions and Closures
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Who Among Us… The Art of Kenyatta A.C. Hinkle
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Close-Up on “Sweetgrass”: Experiments in Aesthetics and Ethnography
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From Walrus Hunts to Melting Continents: The Shifting Art of Polar and Alpine Regions
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Intergalactic Franciscans and Junípero Serra Protests in Interwoven
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The Unnatural Nature of Edward Burtynsky’s Industrial Landscapes
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Chimpanzees, Graffiti, and Bruised Skin: Exploring Memory and Place at Kiria Koula
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Colombian Photography Captures an Unfamiliar ‘Fourth World’
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¡Azúcar!: Images of Cuba's Economic Crisis
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Cloud Monsters and E-Waste Dumps Illuminate the Link Between Technology and the Environment
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San Francisco Seen Through an Analog Lens, One Hour at a Time
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Xandra Ibarra Parodies Stereotypes with Playful Burlesque
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Paul Graham’s Photos Tell Expansive Story of Everyday America
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Artists Become ‘Collectors’ in Two Shows at Haines Gallery
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500 Capp Street: David Ireland’s House
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Artists Inspire Awe with ‘Space, Time, and Beauty’ at Contemporary Jewish Museum
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The Photic Wave Is a Cult You'll Want to Join
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Mud, Plastic and Colorful Clutter at Berkeley’s MFA Show
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Mexican Collective CAMINO Loves the Baby Jesus
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Contemporary Takes on Maritime History at Aquatic Park Exhibition
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Adam Sorensen Draws on Traditional Influences for Otherworldly Landscapes
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Landscape and Memory: A Conversation with Jenni Olson
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Many Stories to Tell in Contemporary Mexican Photography
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Sonya Noskowiak: A Groundbreaking but Forgotten Photographer
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‘Village / High Hills': Layers of History in Quebec and San Francisco
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‘City Rising': San Francisco’s Potemkin Village
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‘Songbook': Alec Soth’s Americana Epic
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Collective Restraint: Four Decades of Czech Photography at the Museum of Photographic Arts
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Bear Walker Society: Exploring Norval Morrisseau’s Influences
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Binh Danh’s 19th-Century Photographs of Contemporary San Francisco
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‘Alien She’ Exhibit Explores the Connection Between Punk Rock and Fine Art
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Failing Dorothea Lange
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John Zurier on Iceland, Light, and Landscape
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Finding ‘Fertile Ground’ in Northern California’s Art History
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Robert Adams’ Journey to Nehalem Bay
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Spectators as Characters: Close-Up on Abbas Kiarostami’s “Shirin”
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Finding Photography ‘Secondhand’ at Pier 24
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Polite Guests from the Future: An Alternate Version of Russian History
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San Quentin’s Prison Arts Project on Display at YBCA
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Yosemite: A ‘Storied Landscape’ of War, Hope, and Beauty